《GQ》专访设计师 Virgil Abloh 谈论品牌 PYREX，OFF-WHITE 以及时装周

作为 PYREX, OFF-WHITE 两个街头品牌的主理人，Virgil Abloh 近日在其米兰的工作室接受了《GQ》杂志有关于过往几年一系列项目的访问。身兼多重身份的 Abloh 在采访中谈论到街头品牌 PYREX 的背后的意图和 OFF-WHITE 近几季背后的灵感以及对在时装周开展发布会的承诺等话题。如今作为一位潮流引领者，Abloh 除了重申不想只当一名时尚设计师，而是往更深的层次进发。无论是男装，女装支线还是最近设计的家具，Virgil Abloh 总算是一位成功的榜样，想了解更多内容除了可以留意以下部份采访以外，也可前往 GQ 查阅。

Is being a mentor to a lot of twenty-something-year-old kids part of representing for your generation?
I take pride in that. I’m reflecting back what I wish I had when I was young. There was no one showing us the ropes, so, given the opportunity, I prefer to pay it forward. I think of it like Jordan. You saw him get better. You got to watch that every season.

You said earlier that making clothes is about planting a flag in the ground with a silhouette that says, This is my idea. So what’s the idea that defines Off-White?
The idea is my collections are, like, me reporting live from the streets [laughs]. It’s a very real-world, feet-on-the-ground type of design approach. I feel it’s important to represent my generation in fashion on its main stage. And what we’ve seen is the silhouette of men’s clothes go to slim everything: The skinniest possible jeans and even skinny sweatpants. So with this next season, I’m trying to explore the romanticism of a baggier pant. I just think there’s a certain coolness to it. Then the other element is outerwear and layering options for fall—fleece and parkas. This collection is based on vintage mountaineering layering lifestyle outerwear.

Because Off-White is all original, but with Pyrex, you were grabbing pre-existing garments and printing your own shit on them.
Yeah, that was the whole idea. People misconstrued that. For me it was obvious, but I understand that it wasn’t for others. It’s just reappropriation. That’s what the whole thing was: Grab [Ralph Lauren] Rugby shirts, buy them all, then print on them, and then everyone tries to find the stuff. Or they see the Rugby shirts on sale, and they’re like, “Wait, that was a thirty dollar flannel, now it’s $500?” And it’s like, Well, you didn’t think of it first. And off the back of that I got the opportunity to do full collections. Men’s and women’s. So then the question for me became, What’s my voice? It’s partially Pyrex, but it’s also, equally, sophistication. I come with a full reason for everything I do. Everything has a long explanation. Some random social reference, plus some other fashion point of view, plus the youth, plus Pyrex, equals Off-White.

For the new fall ’15 collection, where did the mountaineering inspiration come from?
I get intrigued by places and people. Local lifestyles. The first season, I was super into Martha Stewart, Nantucket, Montauk vibes. This season I started out with Jackson Hole. I snowboarded when I was young, and I used to go to Jackson Hole every winter, and I was remembering that mountain lifestyle. It’s like, people that spend their day trying to make it to the top. And for me, Off-White is a bunch of juxtapositions, so I wanted to juxtapose mountaineering with an urban setting, and that became Wall Street. Two different lifestyles, but this whole idea of getting to the top was the premise. I came up with a fake school called Meadow Heights—just another excuse to use a font—and then I named the collection “Don’t Look Down,” which is just a clever title for all these different references. I was studying vintage mountaineering, the first ascent of Mount Everest, looking at the outerwear from back then, looking at the form, the function, and the layering. So I used that and whipped it up.